The original chameleon shows her characters’ aging—and is reborn.

Giorgio Morandi found himself in his vessels and vases.

Van Gogh by night is irresistible.

Martha Rosler, like too many artists, can’t move beyond the easy arguments of her youth.

Andres Serrano’s “Shit” is, yes, crap. Skip it in favor of Neil Campbell, who does more with less.

Is the apocalyptic art of “After Nature” a sign of a newfound earnestness?

The art world is currently obsessing over Damien Hirst’s Sotheby’s sale in London.

A pair of critics size up the new Museum of Arts and Design.

Jeff Koons typifies event art. He also transcends it.

Tony Shafrazi, the man who tagged Guernica, tries another way of superimposing new art and old.